judy Collins ist eine amerikanische Sängerin, Songwriterin und Musikerin, deren Karriere sich über sieben Jahrzehnte erstreckt. Als Dokumentardirektorin und Grammy-preisgekrönte Künstlerin ist sie bekannt für ihren vielseitigen Geschmack in dem Material, das sie aufnimmt (darunter Folkmusik, Country, Showmusik, Popmusik, Rock and Roll und Standards), für ihren sozialen Aktivismus und für die Klarheit ihrer Stimme. Ihre Diskografie besteht aus 36 Studioalben, neun Live-Alben, zahlreichen Sammelalben, vier Urlaubsalben und 21 Singles. Foto von Bernard Gotfryd

• Bildanbieter: American Photo Archive
• Bild-ID: 2RGGEC2
• Dateigröße: 42,7 MB (1,8 MB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 3158 x 4727 px | 26,7 x 40 cm | 10,5 x 15,8 inches | 300dpi
• Aufnahmedatum: 1969
• Ort: New York City, New York

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Collins eventually made her way to Greenwich Village, New York City, where she played in clubs like Gerde's Folk City until she signed with Elektra Records, a label she was associated with for 35 years. In 1961, she released her debut studio album, A Maid of Constant Sorrow, at age 22.[14] At first, Collins sang traditional folk songs or songs written by others – in particular the protest songwriters of the time, such as Tom Paxton, Phil Ochs, and Bob Dylan. She recorded her own versions of important songs from the period, such as Dylan's "Mr. Tambourine Man" and Pete Seeger's "Turn! Turn! Turn!". She was also instrumental in bringing little-known musicians to a wider public. For example, she recorded songs by Canadian poet Leonard Cohen, who became a close friend over the years. She also recorded songs by singer-songwriters such as Eric Andersen, Fred Neil, Ian Tyson, Joni Mitchell, Randy Newman, Robin Williamson, and Richard Fariña long before they gained national acclaim.[15][16] Judy Collins in 1965 Collins' first few studio albums consisted of straightforward guitar-based folk songs, but with her fifth studio album In My Life (1966), she began branching out to include works from such diverse sources as the Beatles, Leonard Cohen, Jacques Brel, and Kurt Weill.[16] Mark Abramson produced and Joshua Rifkin arranged the album, adding lush orchestration to many of the numbers. The album was a major departure for a folk artist and set the course for Collins' subsequent work over the next decade.[17] With her sixth studio album Wildflowers (1967), also produced by Abramson and arranged by Rifkin, Collins began to record her own compositions, beginning with "Since You Asked". The album also provided her with a major hit and a Grammy Award in Mitchell's "Both Sides, Now", which in December 1968 reached No. 8 on the Billboard Hot 100, [18] later (February 1970) reaching No. 14 on the UK Singles Chart.

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