Treffen von Cyrus und Artemisia. Coxie, Michiel (der ältere) (Niederländisch (vor 1600) - Flandern, 1499-1592) (entworfen nach, ATR.) [Maler] Tiegen, Jan van (Niederländisch (vor 1600) - Flandern, ACT.1550) (Werkstatt) [Weber] Leyniers, Nikolaus (Niederländisch (vor 1600) - Flandern, ACT.1570) (Werkstatt) [Weber] ca. 1550 Gobelin Abmessungen: H 420 x B 450 cm Gobelin Materialien/Techniken: Wolle; Seide; Metallfaden (Gold); Metallfaden (Silber) Kultur: Flämisches Weberzentrum: Brüsseler: Geschichte: Besitz: Brüsseler Bestandsaufnahme von Carlos II (1701-1703). Bestandsaufnahme von Carlos III (1788). Bestand o
6144 x 5372 px | 52 x 45,5 cm | 20,5 x 17,9 inches | 300dpi
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Meeting of Cyrus and Artemisia. Coxie, Michiel (the Elder) (Netherlandish (before 1600) - Flanders, 1499-1592) (designed after, attr.) [painter] Tiegen, Jan van (Netherlandish (before 1600) - Flanders, act.1550) (workshop) [weaver] Leyniers, Nikolaus (Netherlandish (before 1600) - Flanders, act.1570) (workshop) [weaver] c. 1550 Tapestry Dimensions: H 420 x W 450 cm Tapestry Materials/Techniques: wool; silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos II (1701-1703). Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Segovia, Segovia, Palacio de San Ildefonso, accno. A.359-12099. Inscriptions: Inscription in central field, on banner: CARIA Inscriptions: Inscription in central field, on Artemisia's dress: ARTEMISIA. REGINA. CARIE Inscriptions: Inscription in upper border cartouche: Cirus in europam.. Inscriptions: Inscription in lower border (from left to right): FAMA / CON/ STAT.. Artemisia wears dress with inscription (L of center, foreground); Cyrus bends down to kneeling Artemisia (R of center, foreground); soldier stands behind Cyrus (L, foreground); 2 ladies-in-waiting (L, foreground); army with inscribed banner (L, middle ground); pier extends out to water, fleet of battleships, some sink (center, middle ground & background) (L & R BRD) vases of flowers with female figure at top, male figure at bottom in corner; (UPR BRD) vases of flowers, central cartouche with inscription; (LWR BRD) various animals framed by female statue-columns, central medallion within cartouche, tablet with inscription at each end 1 in set of 10 panels; Photo Study Collection does not represent panel no. 8. Junquera de Vega, Catalogo de Tapices, Vol. I (1986), 279-289, series 39, no. 7; 290-296, series 40, nos. 1-6 Calvert, Spanish Royal Tapestries (1921), 62-64 Valencia de Don Juan, Tapices de la Corona de España, 79, 80, pl. 123 Bennett, Tapestry San Francisco (1992), 152-157, nos