5445 x 3630 px | 46,1 x 30,7 cm | 18,2 x 12,1 inches | 300dpi
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Looking up through an ornately carved arch doorway and the open dome roof of the Unfinished Chapel at the monastery at Batalha Portugal where the tombs of King Duarte and his wife Leonor are located. Santa Maria da Vitória na Batalha, more commonly known as the Batalha Monastery, is a Dominican monastery in the Portuguese town of Batalha, in the District of Leiria, Portugal. It is one of the best and original examples of Late Gothic architecture in Portugal, intermingled with the Manueline style. It amazes the onlooker with its profusion of gables, spires, pinnacles and buttresses. It has become a symbol of national pride. As Capelas Imperfeitas (The Unfinished Chapels) remain as a testimony of the fact that the monastery was never actually finished. They form a separate octagonal structure tacked on the choir of the church (via a retrochoir) and only accessible from the outside. It was commissioned in 1437 by King Duarte I as a second royal mausoleum for himself and his descendants. But he and his queen Leonor of Aragon are the only ones buried here. The original design, begun by Huguet, was altered by successive architects, especially Mateus Fernandes (who is buried inside the church). The octagonal rotunda has seven radiating hexagonal chapels. In the corners of the chapels stand the massive unfinished buttresses, that were intended to support the vault. These pillars, designed by Diogo Boitac, are decorated with Manueline motives carved in stone. The portal rises to a monumental fifteen metres. It was originally built in Gothic style, but was transformed beyond recognition by Mateus Fernandes into a masterpiece of Manueline style (completed in 1509). It is completely decorated into a lacework of sumptuous and stylized Manueline motives : armillary, spheres, winged angels, ropes, circles, tree stumps, clover-shaped arches and florid projections. This homage of King Manuel I to his predecessor King D. Duarte mentions his motto Leauté faray tam yaserei
