. Das Tischbuch der Kunst; eine Kunstgeschichte in allen Ländern und Altersgruppen. Speziell in der IndependenceHall, wo es eine komplette Galerie seiner Bilder. John Vanderlyn, der 1776 in Kingston, New York, geboren wurde, begann wie QuintinMatsys sein Leben als Schmied. Seine Begabungen wurden von Colonel Burr wahrgenommen, der ihm einen Lebensbeginn in New York einbrachte. 1803 ging Vanderlyn nach Europa und war in Paris und Rom der Freund und Begleiter von Allston. In Rom malte er 1807 seinen berühmten Marius auf den Ruinen von Karthago, dem Napoleon persönlich die Medaille im Salon von 1808 verlieh

• Bildanbieter: Reading Room 2020 / Alamy Stock Foto
• Bild-ID: 2CDBYG1
• Dateigröße: 7,2 MB (838,4 KB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 1409 x 1774 px | 23,9 x 30 cm | 9,4 x 11,8 inches | 150dpi

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. The table book of art; a history of art in all countries and ages . specially in the IndependenceHall, where there is a complete gallery of his pictures. John Vanderlyn, who was born in 1776 at Kingston, New York, like QuintinMatsys began life as a blacksmith. His talents were noticed by Colonel Burr, whogave him a start in life at New York. In 1803, Vanderlyn went to Europe, and wasin Paris and Rome the friend and companion of Allston. In Rome he painted, in1807, his famous Marius sitting on the Ruins of Carthage, to which Napoleon person-ally awarded the prize medal in the Salon of 1808, and which the emperor tried tobuy; but Vanderlyn wished to take it to America, and it was subsequently purchasedby Bishop Kip, in whose possession it still remains at San Francisco. This work isespecially noteworthy for the care which the artist has taken to represent, as nearlyas possible, the architecture and the costumes of the time. Vanderlyns life was aseries of successes and failures, of riches and poverty, though unfortunately the latter *See Steel Engraving.. THE CONNOISSEUR. {From the original painting by E. Stammel.) ALLSTON. 195 preponderated, and he died in great want at his native town, Kingston, in 1852. Hewas buried in the Wiltwyck Cemetery, hard by. Besides the Marias, above-mentioned, this artist executed but one other work worthy to be compared to it. Thisis the Sleeping Ariadne, which the Boston Athenaeum refused to purchase for fivehundred dollars, and for which Mr. Harrison of Philadelphia gave ten times thatamount. Of his remaining works, most of which are portraits, we need not speak. Washington Allston, the chief painter of the American School, was born atWaccamaw in South Carolina, in 1779. After the completion of his university careerat Harvard, he took up his abode at Charlestown, where, however, desiring to go toEurope for the improvement of his art, he did not long remain. He arrived in Lon-don in 1801, and at once entered the Royal Academy schools,

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• bookcentury1800
• bookdecade1880
• bookidtablebookofa
• bookyear1880