Die Meisterwerke der Centennial Exhibition von 1876.. Für diejenigen wlip haben gute Arbeit geleistet, um tobetter voraus und besten, wie für diejenigen, die schlechte Arbeit in goodand bessere Fortschritte gemacht haben. Den höchsten Erfolg in jedem Zweig der industriellen Kunst ist nie das Ergebnis ofa Geheimnis, dass vom Rest der Welt durch seine Erfinder gehalten werden kann, und jedes Detail allefforts Prozess charakteristisch für gute Arbeit zu verbergen müssen, wenn die Arbeit selbst beunsuccessful im Allgemeinen geschätzt zu werden. Auch in feinen IND UNS TRIALAR T.503 Kunst, Glauben an Modi und Prozesse, wie die Produktion von intiuencing

• Bildanbieter: The Reading Room / Alamy Stock Foto
• Bild-ID: 2AKNP50
• Dateigröße: 7,2 MB (409,3 KB Komprimierter Download)
• Freigaben (Releases): Model - nein | Eigentum - nein
• Format: 1908 x 1310 px | 32,3 x 22,2 cm | 12,7 x 8,7 inches | 150dpi

Weitere Informationen

Dieses Bild ist ein gemeinfreies Bild. Dies bedeutet, dass entweder das Urheberrecht dafür abgelaufen ist oder der Inhaber des Bildes auf sein Urheberrecht verzichtet hat. Alamy berechnet Ihnen eine Gebühr für den Zugriff auf die hochauflösende Kopie des Bildes.

Dieses Bild kann kleinere Mängel aufweisen, da es sich um ein historisches Bild oder ein Reportagebild handel

The masterpieces of the Centennial international exhibition of 1876 .. . for those wlip have done good work to advance tobetter and best, as for those who have done bad work to progress into goodand better. The highest success in any branch of industrial art is never the result ofa secret that can be kept from the rest of the world by its inventor, and allefforts to conceal any detail or process characteristic of good work must beunsuccessful if the work itself is to be generally appreciated. Even in fine IND US TRIALAR T. 503 art, faith in modes and processes, as intiuencing the production of excellentworks, or accounting for their excellence, may be reckoned amongst the lostcreeds. Sir Joshua Reynolds making a section of a picture by an older master, or successively removing each coat or painting of it, from the varnish to thecanvas, in order to find out the processes by which it was produced, is only arefined imitation of the boy who made a surgical investigation within the interiorof a pair of bellows to find out where the wind came from. The process of. Fienck Enameled Vases. painting had as little to do with the beauty and attractiveness of the picture aswith the same features of Sir Joshuas own work ; and whilst the world is dailyand hourly increasing its love for and appreciation of the pictures produced bythe first president of the English Royal Academy, all lovers of art must regretthe useless experiments made by him, which have resulted in the prematuredecay and destruction of many of his most beautiful works. A fruidess effortto discover and take advantage of a secret when there was none to be found, sacrificed. much of his own work which would otherwise have been equallypermanent, and, as many would think, equal also in beauty, to the subject ofhis inquiry. Still less can monopoly of industrial art in any of its departments 504 THE INTERNATIONAL EX HIBI TI0 N, 18 7 6. be maintained by the nursing of imaginary secrets which exclusive or narrow-minded peopl

Stockbilder mithilfe von Tags suchen

• bookcentury1800
• bookdecade1870
• bookpublisherphila
• bookyear1876